|November 15, 2012To: Listings/Critics/Features
From: Jazz Promo Services
Press Contact: Jim Eigo, email@example.com
|CD Release Party
ANDREA BRACHFELD C flute #& vocals
|What The Press Is Saying About “Lady of the Island”…she stakes her claim as one of the top jazz flutists around today…
…Lady of the Island… is Andrea Brachfeld’s definitive recording thus far.
By DAN BILAWSKY
Folk & Acoustic Music Exchange
Liner Notes For “Lady of the Island”
My musical path began when I played my first jazz gig at age 16 at “All Nite Soul,” then found myself with the title of the first woman in the US to play in a Charanga band in 1976. After taking a semi-hiatus for about 15 years in 1998, I put together a Latin Jazz band and recorded and produced my first CD. Now I’ve come full circle to playing my first love, jazz. The hard work, persistence, determination, visualization techniques, the process of letting go, and then hoping that what I want, is my destiny, has paid off.
The Lady of the Island project began many years ago. Over the course of a couple of months, after a personal injury occurred, I was disabled from playing my flute. Fast forward seven years and many doctors, healers, and shifts of energy later, I healed myself. But that is a whole story unto itself. Then it became clear to me that I needed to play what I loved to play in life and no longer put it off; that was to play jazz! Many people have appeared in my life throughout this process who have inspired me, including Wycliffe Gordon, Frank Wess, Mike Longo, Hubert Laws, Dave Valentín, and of course my first jazz teacher ever, Jimmy Heath.
I would first like to thank God for allowing me to be the conduit through which my music reaches you, my audience. Thanks to my parents who brought me into the world. Special thanks to my daughter who is always there for me. My heartfelt thanks goes out to all of you who have helped me produce this CD: Bill O’ Connell, Kim Plainfield, Chembo Corniel, Andy Eulau, Bob Quaranta, Yasek Manzano, Wallace Roney, Wycliffe Gordon, Todd Bashore, Maureen Plainfield, Olga Luz, Chris Sulit, Ed Littman, Jack Frisch, and Jochen Becker. Everyone supported this project and believed in me and did me solids over and over again.
So, my friends, my fans, my colleagues, my mentors, my elders, the masters; enjoy this music which so many people put so much hard work and love into! Be in joy! And don’t forget that double rainbows above your house can change your lives!
I Got it Bad- Bill and I were discussing which ballad to record when I came across this one. Duke is one of my favorite composers and I always felt an affinity for him since he and I were born in the same month. I also really related to the lyrics as I’m sure many women can. Bill’s suggestion of a duo for this piece really came out perfectly with the interplay of the melody and improvisation between us.
Little Girl’s Song- I composed this tune many years ago to celebrate my daughter. She has grown into an amazing person who is beautiful inside and out, but I still can’t stop treating her like my little girl. I’ve told her many times that she might as well give up the fight. She’ll never win! Andy Eulau plays his solo with total melodic and harmonic control. I can always count on him to keep the groove going!
Dead Ahead- This composition is written by Bill. We needed a tune that was really fast and this one did the trick. Bill didn’t have a title for it, so I just said, “Why not call it “Dead Ahead” as a play on words for straight ahead. He agreed, so here it is. Wallace nails the changes and of course brings his magic sense of chromatics to it. Bill also played with such fluidity and his ideas seem like they never stop, with different ones every bar.
Birdlike- When I heard this composition with the introduction sounding so Latin-like, I knew I had to record it. Bill did an amazing job with the arrangement and with Chembo Corniel’s congas on the Latin part of the tune, the driving rhythm brings out all the passion of each player. Todd Bashore played a killing solo on this tune as well. I am heavy into Bird (Charlie Parker), so this is my tribute to him.
In the Center- I composed this composition when I was in a very meditative state. I was feeling very peaceful and centered and whenever I perform the tune, it immediately puts me in that state. Bill convinced me that the bridge needed some work, so he rewrote the bridge and it really felt like a perfect fit when I heard it.
Lady of the Island- I have always loved this tune. The simple melody and the lyrics have stayed with me for years. It is a love song and especially speaks to the musician’s way of life in such a beautiful way. When we first played this at the rehearsal, Kim Plainfield and Bill O’Connell immediately said- Jon Lucien. And that is how we recorded it- with Jon in mind. Kim and Bill played with him for many years and I knew him well. This one’s for you Jon! The fluegelhorn on the song is played by Yasek Manzano, a wonderful young musician from Cuba. He really added a soft and sensual flavor to the tune.
Four Corners – I composed this tune after I had gotten my house cleared and evaluated by a Feng Shui master. The process literally changed my life in so many ways, so this song is a tribute to this amazingly ancient and totally practical Chinese custom. Kim, Chembo and I decided, as a result of Bill’s suggestion, to start my solo with just percussion and flute which gives the tune a different vibe to it. I’d like to also say that Bob Quaranta’s solo on this composition is the best I’ve heard yet! Yasek also plays beautifully crafted lines on the tune which shows why he is so well respected as a jazz player. Be on the lookout for this young lion in the near future!
Lady of the Island is a wonderful mix of musical selections to be enjoyed by everyone from the studied musician to the casual listener. The tunes on this compilation swing hard and groove hard, and are executed at the highest level of musicality and musicianship.
To date, this may be the clearest representation of Andrea Brachfeld’s expression through her music. Though she has varied tastes in musical approaches and stylistic interpretations, she is a hard bopper at heart, and this is obvious on this date. What a beautiful job of selecting music for this recording! It is very well thought out and there is something for everyone here. The music addresses, at the highest level, the three basic elements found in most Western music; rhythm, melody, and harmony.
Each element is seriously performed, tested, tried, and successfully achieved on every level by Andrea and the musicians she called to breathe life into this recording. From the simplest melodic statement to the most difficult of lines, the musicians take on the responsibility, and deliver, at the height of professional musicianship, with a true understanding of this art form we call jazz, and the history associated with it.
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