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as a ground-breaking artist who pushed the boundaries of the art of his time. With nearly 100 works, this exhibition will re-evaluate this familiar figure, looking afresh at the experimentation that shaped his career.
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ART NEWS AT A GLANCE
Trait
Amedeo Modigliani, Jeanne Hébuterne 1919.
MODIGLIANI
23 NOVEMBER 2017 – 2 APRIL 2018
TATE MODERN | LONDON, UK
Amedeo Modigliani (1884–1920) was a ground-breaking artist who pushed the boundaries of the art of his time. With nearly 100 works, this exhibition will re-evaluate this familiar figure, looking afresh at the experimentation that shaped his career.
Modigliani will bring together a selection of the artist’s iconic portraits and exceptional examples of his lesser-known work in sculpture, including some of his Heads produced before WWI. A major highlight will be a group of his most famous nudes such as Seated Nude 1917 (RMFA, Antwerp) and Reclining Nude c. 1919 (MoMA, NY). The exhibition will also feature some of Modigliani’s best-known depictions of his closest circle, who provided him with much-needed financial and emotional support.
Drawing on archival material and new research, a virtual reality room in partnership with leading VR platform HTC VIVE™ will invite viewers to step into Modigliani’s Paris.
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Trait
Amedeo Modigliani, Jeanne Hébuterne 1919.
The Metropolitan Museum of Art, New York.
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| Wild: Michael Nichols is the first major exhibition of the work of one of the world’s leading photographers. Keenly interested in the conservation of wildlife habitat, Nichols has collaborated with scientists on groundbreaking projects about great apes, elephants, and big cats, as well as the landscapes of Africa’s Congo Basin and the American West. |
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| WILD: MICHAEL NICHOLS |
27 JUNE – 17 SEPTEMBER 2017
PHILADELPHIA MUSEUM OF ART | PHILADELPHIA, USA |
| Wild: Michael Nichols is the first major exhibition of the work of one of the world’s leading photographers. In this in-depth survey, photographs by Michael Nichols (American, b. 1952) are presented along with paintings, sculpture, and other media selected from the Museum’s collection to demonstrate the enduring importance of the wild: those parts of our world that remain untouched by humankind. |
| Michael Nichols has collaborated with scientists on groundbreaking projects about great apes, elephants, and big cats, as well as the landscapes of Africa’s Congo Basin and the American West. |
| The exhibition coincides with the first biography about the artist, A Wild Life: A Visual Biography of Photographer Michael Nichols, authored by exhibition co-curator Melissa Harris and published by Aperture. |
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| Michael Nichols, Charger, Bandhavgarh National Park, India, 1996.
© Michael Nichols/National Geographic. |
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| ned by Renzo Piano. |
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| EMILIO VEDOVA DE AMERICA |
FONDAZIONE EMILIO E ANNABIANCA VEDOVA | VENICE, ITALY
MAGAZZINO DEL SALE & SPAZIO VEDOVA
UNTIL 26 NOVEMBER 2017 |
| Emilio Vedova’s De America cycle consists of 14 paintings produced between 1976 and 1977, a special period of time for North America, Italy and the arts. In this exhibition it will be put in motion by a special robotic device designed by Renzo Piano. |
| All in black and white, these large format paintings reflect Vedova’s longstanding, forceful, expressive dialogue with American art originating in his encounter with the work of Jackson Pollock and Franz Kline in the 1940s. This dialogue continued to develop in the 60’s and 70’s, addressing and interacting with the concerns of students and intellectuals such as Allen Ginsberg and Dore Ashton. |
| Combining the aesthetic language of the past, the intensity of Futurism, an affinity for the Eastern gesture of the sign, action painting and Abstract Expressionism, the work of Emilio Vedova is widely recognized today as among the most seminal art produced in Post-war Italy. |
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| Emilio Vedova, De America ’76 – 7, 1976. Photo Paolo Vandrasch, Milano. © Fondazione Emilio e Annabianca Vedova, Venice. |
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| acques Grange, one of today’s preeminent interior designers, renowned for his refined and eclectic taste. |
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| JACQUES GRANGE | COLLECTOR |
AUCTION AT SOTHEBY’S PARIS
21 NOVEMBER 2017 |
| Sotheby’s is delighted to offer property from the collection of Jacques Grange, one of today’s preeminent interior designers, renowned for his refined and eclectic taste. |
| The 150 lots on sale feature works by leading artists and with prestigious pedigrees – a number of them having been formerly collected by André Breton, René Crevel, Paul Eluard, Eugenia Errazuriz, Pierre Matisse, Marie-Laure de Noailles, Yves Saint Laurent and Maurice Thorez. |
| Assembled with erudition and passion, this collection is a mix of modern and contemporary art, 20th century design, photographs, antiques, 19th century drawings and Symbolist works. It gathers an impressive list of prominent artists and designers: Victor Brauner, Alexander Calder, Max Ernst, Jean-Michel Frank, Alberto and Diego Giacometti, Eileen Gray, Hector Guimard, Damien Hirst, David Hockney, Joseph Hoffman, Donald Judd, Paul Klee, Archibald Knox, Claude and François-Xavier Lalanne, Fernand Léger, Henri Matisse, Joan Miro, Alexandre Noll, Armand-Albert Rateau, Hiroshi Sugimoto, and Yves Tanguy. |
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| Portrait of Jacques Grange. © Jérôme Macé. |
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| BEIRUT ART FAIR s’affirme année après année comme l’un des principaux rendez-vous d’un marché très anciennement ancré et d’une scène artistique parmi les plus effervescentes au Moyen-Orient. |
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| BEIRUT ART FAIR 2017
ORIENT YOUR MIND! |
21 – 24 SEPTEMBRE 2017
BIEL | BEYROUTH, LIBAN |
| BEIRUT ART FAIR s’affirme année après année comme l’un des principaux rendez-vous d’un marché très anciennement ancré et d’une scène artistique parmi les plus effervescentes au Moyen-Orient. |
| 2017 sera marquée par la participation d’une cinquantaine de galeries en provenance de 20 pays, dont l’Arabie Saoudite, l’Argentine, la Belgique, le Chili, la France, l’Italie, le Liban, le Maroc, la Palestine, le Qatar, le Royaume-Uni, la Suisse ou la Syrie. |
| Exposition focus de la foire, OUROUBA, THE EYE OF LEBANON mettra en lumière les préoccupations esthétiques, conceptuelles et sociopolitiques au sein du monde arabe depuis ces dix dernières années sur la base d’une sélection issue des meilleures collections privées et publiques libanaises. Commissaire : Rose Issa. |
| L’espace REVEALING consacré à la découverte des jeunes talents augmentera significativement son espace, avec la participation d’une trentaine de galeries. |
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| Mounir Fatmi, The Island of Roots, 2017. Courtesy Analix Forever. |
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| Se désabonner |
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Show On Show via mail217.suw16.rsgsv.net
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Désactiver pour : anglais
| With each successive edition, BEIRUT ART FAIR solidifies its position as a principal event in an established art market at the heart of one of the most vibrant creative scenes in the Middle East. |
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| BEIRUT ART FAIR 2017
ORIENT YOUR MIND! |
21 – 24 SEPTEMBER, 2017
BIEL | BEIRUT, LEBANON |
| With each successive edition, BEIRUT ART FAIR solidifies its position as a must-see event in an established art market at the heart of one of the most vibrant creative scenes in the Middle East. |
| The fair’s 8th edition in 2017 will be marked by the participation of around 50 galleries from 20 countries including Argentina, Belgium, Chile, France, Italy, Lebanon, Morocco, Palestine, Qatar, Saudi Arabia, Switzerland, Syria and the United Kingdom. |
| The fair’s centerpiece exhibition, OUROUBA, THE EYE OF LEBANON, will bring to light the aesthetic, conceptual and socio-political concerns that have surfaced in the Arab world over the last decade, based on choice loans from the best private and institutional collections in Lebanon. Curator: Rose Issa. |
| The fair’s REVEALING section, devoted to the discovery of young talent, will significantly increase its space, with some 30 galleries showcasing their most promising young artists. |
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| Mounir Fatmi, The Island of Roots, 2017. Courtesy Analix Forever. |
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| wood, or how we surfaced through currents”, conceived by Belgian curator Evelyn Simons (1989) and supported by project coordinator Ilektra Kalaitzaki. It explores the movement of people, the circulation of capital, and how these endless flows of motion are organized, systematized, controlled and contested. |
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| DRIFTWOOD, OR HOW WE SURFACED THROUGH CURRENTS |
| A SERIES OF SOLO PRESENTATIONS THROUGH THE STREETS OF THE EXARCHEIA NEIGHBOURHOOD IN ATHENS |
| 17 JUNE TO 22 JULY 2017 |
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| Curate Award presents “Driftwood, or how we surfaced through currents”, conceived by Belgian curator Evelyn Simons (1989) and supported by project coordinator Ilektra Kalaitzaki. It explores the movement of people, the circulation of capital, and how these endless flows of motion are organized, systematized, controlled and contested. |
| The exhibition will feature 11 site-specific solo presentations by contemporary artists: Larry Achiampong, Meriç Algün, James Bridle, Hera Büyüktaşçiyan, Jeremy Hutchison, KERNEL, Chrysanthi Koumianaki, Persefoni Myrtsou & Eva Giannakopoulou, Lara Ögel, Maria Papadimitriou and Lloyd Corporation. |
| The wide range of artistic contributions deployed across the city of Athens (on advertising panels, in a café, empty shops and a garage, etc.) investigate shared thematic topics: advertising and marketing as tools used to cover up the exploitation of globalized production processes; labor ethics; the notion of home as a personal or collective construct; the structural limitations of human movement and thought; imposed or self-governed cultural identity; and practices dealing with community-building. |
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| Meriç Algün, Untitled, 2013, (Evros, Maritsa, Meriç) from the series A Hook or a Tail. Courtesy of the artist and Galerie Nordenhake. |
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Show On Show via mail41.wdc01.mcdlv.net
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17:59 (Il y a 27 minutes)
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Désactiver pour : anglais
| Curate Award presents “Driftwood, or how we surfaced through currents”, conceived by Belgian curator Evelyn Simons (1989) and supported by project coordinator Ilektra Kalaitzaki. It explores the movement of people, the circulation of capital, and how these endless flows of motion are organized, systematized, controlled and contested. |
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If this message is not displaying correctly,
click here |
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| DRIFTWOOD, OR HOW WE SURFACED THROUGH CURRENTS |
| A SERIES OF SOLO PRESENTATIONS THROUGH THE STREETS OF THE EXARCHEIA NEIGHBORHOOD IN ATHENS |
| 17 JUNE TO 22 JULY 2017 |
|
| Curate Award presents “Driftwood, or how we surfaced through currents”, conceived by Belgian curator Evelyn Simons (1989) and supported by project coordinator Ilektra Kalaitzaki. It explores the movement of people, the circulation of capital, and how these endless flows of motion are organized, systematized, controlled and contested. |
| The exhibition will feature 11 site-specific solo presentations by contemporary artists: Larry Achiampong, Meriç Algün, James Bridle, Hera Büyüktaşçiyan, Jeremy Hutchison, KERNEL, Chrysanthi Koumianaki, Persefoni Myrtsou & Eva Giannakopoulou, Lara Ögel, Maria Papadimitriou and Lloyd Corporation. |
| The wide range of artistic contributions deployed across the city of Athens (on advertising panels, in a café, empty shops and a garage, etc.) investigate shared thematic topics: advertising and marketing as tools used to cover up the exploitation of globalized production processes; labor ethics; the notion of home as a personal or collective construct; the structural limitations of human movement and thought; imposed or self-governed cultural identity; and practices dealing with community-building. |
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| Meriç Algün, Untitled, 2013, (Evros, Maritsa, Meriç) from the series A Hook or a Tail. Courtesy of the artist and Galerie Nordenhake. |
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| sienne de 1870 fut à l’origine d’une vague d’émigration d’artistes français outre-Manche parmi lesquels Claude Monet, Camille Pissarro, Alfred Sisley, James Tissot. |
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| THE EY EXHIBITION: DES IMPRESSIONNISTES À LONDRES, ARTISTES FRANÇAIS EN EXIL (1870-1904) |
2 NOVEMBRE 2017 – 29 AVRIL 2018
TATE BRITAIN | LONDRES, ROYAUME-UNI |
| La guerre franco-prussienne de 1870 fut à l’origine d’une vague d’émigration d’artistes français outre-Manche parmi lesquels Claude Monet, Camille Pissarro, Alfred Sisley, James Tissot. |
| Les influences que Londres et la société britannique eurent alors sur leur travail, l’apparition d’un microcosme d’exilés ayant favorisé rencontres et soutiens, l’influence de certains de ces artistes sur l’enseignement artistique outre-Manche ainsi que la permanence de sujets liés à la capitale britannique sont parmi les thèmes novateurs qu’abordera avec une sélection de 100 oeuvres clefs The EY Exhibition: Des Impressionnistes à Londres, artistes français en exil (1870-1904). |
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| Claude Monet, Le Parlement, effet de soleil (1903).
Brooklyn Museum of Art, New York. |
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| ill Viola : rétrospective développe un parcours à la fois chronologique et thématique sur l’ensemble de la carrière de l’un des pionniers de l’art vidéo. Organisée par le Guggenheim Bilbao, avec le soutien d’Iberdrola, cette ambitieuse rétrospective s’étend des premières cassettes à bande magnétique des débuts de l’art vidéo aux plus récentes réalisations produites grâce à l’avénement de la technologie des écrans plats en haute définition. |
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![]("https://ci4.googleusercontent.com/proxy/JhIsCYlins6w5Xlo77KxU8s6JYx_p26sMAHLP_I9ciEcsyBz8Sn1jE8CasjxH4IaSVip</p)
