Al Schmitt nous a quittés RIP

Al Schmitt


Albert Harry Schmitt was an American recording engineer and record producer. He has won twenty Grammy Awards for his work with Henry ManciniSteely DanGeorge BensonTotoNatalie ColeQuincy Jones, and others.


Early career[edit]

Schmitt grew up in New York City and lived in Brooklyn til the late 1940s. He bought his first 78 at the age of 10, Jimmie Lunceford‘s record “White Heat.” Schmitt’s favorite band was Jimmie Lunceford & His Orchestra.[1] He had a younger sister and two younger brothers (Richy and Russ), both of who became audio engineers. His family was poor so some Saturdays he worked at a shop doing shoe repairs.[2]

On the weekends, Schmitt would spend time at his uncle’s recording studio, Harry Smith Recording (Smith had changed his name from “Schmitt” to “Smith” because of the anti-German sentiment of the era.[2]) From the age of 8, Schmitt would ride the subway himself from Brooklyn to Manhattan to go to the studio.

Smith’s studio was the first independent recording studio on the East Coast. engineered sessions for Brunswick Records including with Bing Crosby, and the Andrew Sisters. Smith was his father’s brother and also Schmitt’s godfather. Schmitt considers Smith one of his mentors for recording along with Tom Dowd.[1]

Smith was friends with Les Paul, who became “like another uncle” to Schmitt. Schmitt and Paul remained friends for life.[2]


After serving in the U.S. Navy, he began working at Apex Recording Studios at the age of 19 as an apprentice. He got the job based on a recommendation from his uncle. His job was primarily assisting on engineer Tom Dowd‘s recording sessions. After a few months, he was engineering small demo recordings (mono recordings at 78 rpm)[2]

On a Saturday afternoon, Schmitt’s had a recording session with Duke Ellington and his Orchestra – not the small demo recording he was expecting to do.[3] Schmitt was the only one at the studio and couldn’t get the owner or engineer Tom Dowd on the phone so he did the session himself. Schmitt said he told Ellington many times, “Mr. Ellington, I’m not qualified to do this”. Ellington responded by patting him on the leg, looking him in the eye and saying, “It’s okay sonny, we are going to get through this”.[1] They cut three songs in four hours.[2]

He worked at Apex for two years until it closed.

When Apex closed, he moved to Nola Studios for a year (Tom Dowd told him of the opening) then worked at Fulton Recording. At Fulton, he worked with engineer Bob Doherty who taught him how to mix large orchestras.

In 1958, Schmitt moved to Los Angeles and became a staff engineer at Radio Recorders on Santa Monica Blvd in Hollywood.

In 1963 he moved to RCA in Hollywood as a staff engineer,[4] the first engineer hired for the studio.[1] While at RCA he engineered albums for Henry ManciniCal TjaderAl HirtRosemary ClooneyLiverpool FiveThe AstronautsSam Cooke (“Bring It On Home to Me,” “Cupid,” “Another Saturday Night“) in 1961. He also did a lot of motion picture scoring work for Alex North and Elmer Bernstein. In addition, Schmitt worked with Jascha Heifetz‘s “Million Dollar Trio”, which comprised Heifetz himself, Arthur Rubinstein on the piano, and Gregor Piatigorsky or Emanuel Feuermann on cello. Schmitt once stated that “Mr. Heifetz was very temperamental in the Studio.” He has also stated that Heifetz would have angry fits during recording sessions. Schmitt also engineered the recording sessions held at RCA Hollywood for Elvis Presley‘s first post-army motion picture for Paramount Pictures, titled G.I. Blues. These recording sessions were held on 27–28 April 1960.

From the mid-60s to present[edit]

In 1966 Schmitt left RCA and became an independent producer. He produced albums for Jefferson AirplaneEddie FisherGlenn YarboroughJackson Browne and Neil Young. In the mid 1970s he began spending more time engineering again, recording and mixing artists from Willy DeVille to Dr. John.

Other career highlights include engineering both Frank Sinatra Duets albumsRay Charles‘ Genius Loves Company and some of Diana Krall‘s albums. Much of his work in the last few years has been with producer Tommy LiPuma. He has also recorded Sammy Davis, Jr.Natalie ColeThelonious MonkElvis PresleyTony BennettMadonnaMichael Jackson, and many others.

Most recently, in 2014, Schmitt worked on Bob Dylan‘s album, Shadows in the Night, which was released on 30 January 2015.[5]

He also worked on the iconic Samsung‘s Over the horizon theme of 2015 as an recording/mixing engineer.

Capitol Records[edit]

Since he moved to Hollywood, Schmitt has almost exclusively worked at Capitol Studios, with occasional sessions at United Recording Studios and EastWest Studios, formerly Western Recording. He made an advertisement for AMS Neve‘s 88R console at Capitol’s Studio A, which currently holds an 88R.[6]

Schmitt has also appeared on the online internet television series “Pensado’s Place”, hosted by Dave Pensado and Herb Trawick. During one of the segments he mentioned that his favorite microphone is the Neumann U 67 tube (valve) condenser microphone, and explained that he uses the microphone on numerous sources.[7]

Production discography[edit]

Awards and honors[edit]

During his career, Schmitt has recorded and mixed more than 150 gold and platinum albums.[8]

He has won more Grammy Awards than any other engineer or mixer. He was the first person to win both the Grammy and Latin Grammy for Album of the Year. He won his first Grammy in 1963 for engineering the Hatari! soundtrack by Henry Mancini. The song “Moon River” and its associated album won two Grammy awards in 1961 as well as an Academy Award for Best Song with its appearance in the film Breakfast at Tiffany’s. He was awarded two Latin Grammy Awards in 2000 including Album of the Year. In 2005 he won five Grammys for his work on Ray Charles‘ Genius Loves Company, including Album of the Year, setting the record for most Grammys won by an engineer or mixer in one night. In 2006, he was given the Grammy Trustees Lifetime Achievement Award.

In 2014, Schmitt was awarded a star on the Hollywood Walk of Fame.[9] The star recognizes his contribution to the music industry and is located at 1750 N. Vine Street.[10][11]

Don WasJoe Walsh, and President/CEO of the Hollywood Chamber of Commerce, Leron Gubler were speakers at Schmitt’s Star Unveiling Ceremony.[12] Gubler declared that 13 August would be designated ‘Al Schmitt Day’ in Hollywood. Although Natalie Cole and Paul McCartney were unable to attend the ceremony, both released statements that were read by Gubler at the ceremony.

He was inducted into the TEC Awards Hall of Fame in 1997.[2]

In June 2014, he won the Pensado Giant Award.[13] In September 2014, he received an honorary doctorate from the Berklee College of Music.[14]

Grammy Awards[edit]


Year Category Title Note
1962 Best Engineering Contribution – Other Than Novelty And Other Than Classical Hatari! Henry Mancini
1976 Best Engineered Recording – Non-Classical Breezin’ George Benson
1977 Best Engineered Recording – Non-Classical Aja Steely Dan
1978 Best Engineered Recording – Non-Classical FM (No Static at All) Steely Dan
1982 Best Engineered Recording – Non-Classical Toto IV Toto
1991 Best Engineered Album – Non-Classical Unforgettable… with Love Natalie Cole
1996 Best Engineered Album – Non-Classical Q’s Jook Joint Quincy Jones
1999 Best Engineered Album – Non-Classical When I Look in Your Eyes Diana Krall
2000 Album of the Year Amarte Es Un Placer Luis Miguel
Pop Album Amarte Es Un Placer Luis Miguel
2001 Best Engineered Album, Non-Classical The Look of Love Diana Krall
2002 Best Jazz Vocal Album Live in Paris Diana Krall
2004 Best Surround Sound Album Genius Loves Company Ray Charles
Best Engineered Album, Non-Classical Genius Loves Company Ray Charles
Best Pop Vocal Album Genius Loves Company Ray Charles
Album of the Year Genius Loves Company Ray Charles
Record of the Year Here We Go Again Norah Jones & Ray Charles
2006 Best Jazz Instrumental Album, Individual or Group The Ultimate Adventure Chick Corea
2008 Best Traditional Pop Vocal Album Still Unforgettable Natalie Cole
2010 Best Jazz Vocal Album Eleanora Fagan (1915-1959): To Billie with Love from Dee Dee Bridgewater Dee Dee Bridgewater
2012 Best Traditional Pop Vocal Album Kisses on the Bottom Paul McCartney
2013 Best Surround Sound Album Live Kisses Paul McCartney


  1. Jump up to:a b c d Larry LeBlanc. “Industry Profile: Al Schmitt” Retrieved 14 November 2016.
  2. Jump up to:a b c d e f Al, Schmitt (2018). Al Schmitt on the record : the magic behind the music. Droney, Maureen. Milwaukee, WI. ISBN 9781495061059OCLC 1045666473.
  3. ^ “Al Schmitt: a living legend and ‘just a simple analogue kind of guyAbbey Road Institute Amsterdam. Retrieved 22 February 2019.
  4. ^ Hogan, Ed. “Al Schmitt Biography”AllmusicRovi Corporation. Retrieved 27 July2014.
  5. ^ Stephen Peeples (4 January 2015). “Al Schmitt Pt. 1/8 – Bob Dylan’s ‘Shadows in the Night’/’Fallen Angels. Retrieved 14 November 2016 – via YouTube.
  6. ^ Pool, Bob (18 June 2008). “Capitol fears for its sonic signature”Los Angeles Times.
  7. ^ “Engineer and Producer Al Schmitt”Pensado’s Place. Archived from the original on 29 July 2014. Retrieved 27 July 2014.
  8. ^ Walsh, Christopher (13 July 2002). Al Schmitt four decades of Grammy hitsBillboard. pp. 47, 58, 60.
  9. ^ Holman, Jordyn (19 June 2014). “Hollywood Walk of Fame 2015 Honorees Revealed”VarietyISSN 0042-2738.
  10. ^ “Al Schmitt | Hollywood Walk of Fame” Retrieved 22 July2016.
  11. ^ “Al Schmitt” Retrieved 22 July 2016.
  12. ^ Barker, Andrew (13 August 2015). “Watch: Al Schmitt Receives Star on Hollywood Walk of Fame”VarietyISSN 0042-2738.
  13. ^ “Pensado Awards”Pensado’s Place. Retrieved 27 July 2014.
  14. ^ Edwards, Margot (25 August 2014). “Multiple Grammy-Winner Al Schmitt to Receive Honorary Doctorate”. Berklee College of Music. Retrieved 30 September 2014.
  15. ^ “Past Winners Search”Grammy Award. Retrieved 12 December 2011.

External links[edit]



Vous pourriez aussi aimer...

Laisser un commentaire

Votre adresse de messagerie ne sera pas publiée. Les champs obligatoires sont indiqués avec *

Translate »