MoonJune Records Infos

MoonJune Records Infos


 Elton Dean, Allan Holdsworth, Hugh Hopper, John Marshall – Soft Works ‘Abracadabra In Osaka’ (2003) – Promo Download

Dear  Friends In Music

Please find the promotional download of this historic release of the short lived supergroup SOFT WORKS, featuring Elton Dean (R.I.P.)Allan Holdsworth (R.I.P.)Hugh Hopper (R.I.P.) and John Marshall, recorded live in Osaka, Japan, 11th of August 2003 – Abracadabra Live In Osaka (double album).



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ELTON  DEAN saxello, alto sax, Fender Rhodes
HUGH  HOPPER bass guitar
The idea of Soft Works first arose in 2000 as an initiate of Leonardo Pavkovic, to revive and reconnect some of the great musicians who had played in Soft MachineSoft Works, with the above line up, was the first solid iteration of this idea, although the band wasn’t long lived and recorded one studio album and played only 11 concerts. Eventually, with some lineup shifts, the band became Soft Machine Legacy and now are known simply as Soft Machine. This is a great live documentation of four extraordinary and legendary players touching on their legacy, but generally performing new music, from their studio album.
Dedicated to the loving memory of 
Elton Dean, Hugh Hopper and Allan Holdsworth
With love, John Marshall and Leonardo Pavkovic.

SOFT WORKS by Leonardo Pavkovic 

Perhaps if there were a “progressive mantra,” it might be embodied by my drive and determination to always keep moving forward and looking ahead – that same ‘go for it’-type attitude which so many great MoonJune artists carry with them into live performances and recording projects. That said, a person cannot gauge progress without reflecting back on the road traveled which carried him to a given point in life. The music on this album brings back a lot of fond memories, but it goes far deeper than that: the band, itself, was a result of some of my earliest efforts in the music industry; efforts which served as an impetus for carrying the entire ‘MoonJune’ concept forward.

I first met Elton Dean back in the mid ’80’s, while still residing in Italy. In what some might refer to as “fate” or “destiny” (and it would certainly be difficult to argue against it, in this instance), Elton and I reconnected again, a decade-and-a-half or so later, via two mutual friends – ethnomusicologist, Verna Gillis, and her husband, the legendary jazz trombonist, Rosewell Rudd. Fittingly, it happened on the first day of the new millennium: January 1, 2000.

Reflecting back on that day, it truly was the start of a new era in my life. Had Elton’s and my paths not again crossed, I seriously doubt that not only would ‘Soft Works’ never have materialized, but more than likely I wouldn’t have started MoonJune Music Bookings & Management or the MoonJune Records label, either. It seemed like a dream, at the time: getting to assist and produce the very musical artists I had long idolized. Looking back, it still bears that same resemblance. ‘Dreaming,’ in fact, is central to this story. Not long after reconnecting with Elton, the two of us met with John Marshall and Hugh Hopper (whom I had the privilege of meeting, 5 or 6 years earlier), and corporately began dreaming about a potential Soft Machine reunion!

The dream continued the following year, when LA jazz / rock journalist, Ken Kubernik, introduced me to another of my heroes: legendary guitar icon, Allan Holdsworth. Knowing his previous history with the band, I naturally viewed Allan as the missing piece to the Soft Machine reunion puzzle. I told him of our (Elton, John, Hugh and myself) ambitions and offered him the position as the band’s fourth member – which he promptly accepted.

Shortly thereafter, I met back up with Elton and ‘Soft Works’ was born. In collaboration with Ken, “Abracadabra” (up until now, the lone release by this exquisite lineup) was the first project I ever produced.

Unfortunately, the career of the late, great Allan Holdsworth had its fair share of peaks and valleys. After a total of 11 dozen in Japan and Italy, and festival gigs in the US and Mexico, Allan decided to bow out. [Shortly thereafter, he was replaced by UK guitar virtuoso, John Etheridge, which gave birth to ‘Soft Machine Legacy.’ (… and which has more recently adopted the original ‘Soft Machine’ moniker.)]

Throughout the world, demand for the band was instantaneous and fevered. My reflections on this period are always bittersweet. There was a ton of potential that unquestionably was left unfulfilled by Allan’s departure. Conversely, seeing what started as a promising vision of hope become a reality served as the motivation and impetus for all things MoonJune!

My magical encounters with Elton Dean, Hugh Hopper and Ken Kubernik led to meeting John Marshall and then, ultimately Allan Holdsworth. Although sadly short lived, the creation of this progressive supergroup fundamentally changed my entire existence. Despite the lone studio album and only a small handful of live performances, the progressive genre is graced by our foresight to have recorded several of these shows. “Abracadabra In Osaka” represents the best of these recordings: serving as a living testimony of true musical icons — the group which unknowingly became the seed which would sprout, grow and blossom into MoonJune Records and MoonJune Music.

Thank you, Elton, Hugh, John and Allan — and Ken … with your help, I have achieved an incredible dream in my own life! I am truly blessed to love what I’m doing, and to be doing what I love

Produced by Leonardo Pavkovic.
Recorded live at Namba Hatch, Osaka, Japan, August 11, 2003.
Stereo-mix of the show was carefully restored, enhanced and mastered by Mark Wingfield.
Graphics and design by Hajo Müller (
Photos courtesy of Centro Servizi Culturali Santa Chiara di Trento.
For more information about this historic archival release, please refer to the extensive liner notes in the album’s booklet.
in All About Jazz article/interview:
‘Leonardo Pavkovic: Nothing Is Ordinary’ by Chris Slawecki
Direct link:

MOONJUNE RECORDS is a boutique independent record company based in New York City, run by one man only, a world-traveling renaissance man and out-of-the-box independent music impresario. He has visited 87 countries on all continents, and is fluent in five languages. MoonJune Records is a label of progressive music, which explores and expands boundaries of jazz, rock, avant, ethnographies, the unknown and anything in between and beyond.
Celebrating 20 years this late Spring, with a catalog of 120 current releases before this Summer.

DownBeat Readers Poll’s Record Label Of The Year category:
     4th place 2020
     3th place 2018
     4th place 2017
     7th place 2016
     11th place 2015

All About Jazz Readers Poll’s Record Label Of The Year category:
3th place 2020

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Leonardo MoonJune Pavkovic vous a identifié(e) ainsi que 99 autres personnes dans une publication.
Leonardo a écrit : « Please vote for MoonJune Records in the CATEGORY 31: REORD LABEL (of the year), in 83rd Annual DownBeat Reader’s Poll. Last year MoonJune Records – a true underdog in today’s dying business pif music in the USA – has landed at the 4th place at DownBeat’s Readers Poll 2017 and in 2016, MJR has landed at the 7th place. That was an incredible success for a truly and brutally independent record label from NYC, run by one person only, Leonardo MoonJune Pavkovic. There are many categories in which You can vote for Your favorite Jazz and Beyond Jazz artists, labels, great players of different instruments, and much more. You will find a myriad of names, many of them well known (and they often win!). And do not forget to vote for the Mighty ALLAN HOLDSWORTH in the category HALL OF FAME. Direct link to cast Your vote: There are so many categories before You arrive to the CATEGORY 31: RECORD LABEL, please be patient and once You are there, if You like what my record label does, then please cast Your vote for MoonJune Records (MoonJune is listed!). Voting for MoonJune, You not only support an independent record label, and You do not only support qualifiable albums and artists with albums released between June 1, 2017 and May 31, 2018, You also support the whole label’s roster. And above all, You support an underdog and a donquixotesque independent music business in this very difficult times in the music recording industry. Direct link to cast Your vote: MoonJune Records – an unorthodox out-of-box rules-breaking record label accidentally established in 2001 by the urge to help an old friend, the legendary Elton Dean (R.I.P.), and named after Soft Machine drummer Robert Wyatt’s famous 1970 epic “The Moon in June” – has already established a name for itself with “in the know” fans. Its focus is to release internationally-situated music by artists exploring the expanding boundaries of genuine, challenging, non-over-produced music that cannot be easily categorized into any specific format. MoonJune Records’ ongoing goal is to support music that transcends stylistic pigeon-holing, but operates within an evolutionary progressive musical continuum that places jazz at one end and rock at the other. The ever-expanding boundaries of these two musical categories have since come to include everything from progressive rock to ethno-jazz, from experimental avant-garde to jazz-rock, and anything in between and beyond. In 2016, MoonJune arrived at the 7th place. In 2017 MoonJune arrived at the 4th place. Direct link to cast Your vote for MoonJune in 2018:–T4o3sfzq6CsSjK27UZspg0zO3aJ6W-yysaZ0OMZDdac9BEpNXbVQafC9B8s Thanks, I count on Your support! »
Today is “my favorite 5 bass guitar players” listening day. The out-of-the-ordinary and more than extraordinary Jimmy Johnson. I possibly saw J.J. 100 times live in concert, and in March he will be featured again on another MoonJune release of Dewa Budjana “Surya Namashakar” featuring also Vinnie Colaiuta. Jimmy is also one of the greatest people I’v ever met among musicians. From my favorite Allan Holdsworth’s album “Wardenclyffe Tower”, the beautiful piece ‘Sphere of Innocence’. This one is for Dewa Budjana and Travis Rogers Jr.. My othr 4 fans are: Jack Bruce, Sveinung Hovensjø, John Paul Jones and of course Jaco Pastorius.
Today is "my favorite 5 bass guitar players" listening day. The out-of-the-ordinary and more than extraordinary Jimmy Johnson. I possibly saw J.J. 100 times live in concert, and in March he will be featured again on another MoonJune release of Dewa Budjana "Surya Namashakar" featuring also Vinnie Colaiuta. Jimmy is also one of the greatest people I'v ever met among musicians. From my favorite Allan Holdsworth's album "Wardenclyffe Tower", the beautiful piece 'Sphere of Innocence'. This one is for @[623573268:2048:Dewa Budjana] and @[697329685:2048:Travis Rogers Jr.]. My othr 4 fans are: Jack Bruce, @[543171695:2048:Sveinung Hovensjø], John Paul Jones and of course Jaco Pastorius.<br />

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